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The first is the list of the best-selling domestic singles of 2012 in Finland, the second is that of the foreign singles: Brit Award for British Single of the Year, Critics' Choice Movie Award for Best Song, Golden Globe Award for Best Original Song, Grammy Award for Best Song Written for Visual Media, Best Original Song Written Directly for a Film, Lead vocals and Additional Background vocals, "Adele's Bond theme, Skyfall, tops iTunes chart", "Daniel Craig: 'I cried when I first heard Adele's Skyfall, "Where Does Adele's 'Skyfall' Land on List of Best Bond Theme Songs? *sales figures based on certification alone^shipments figures based on certification alone, This is the end [47] This has since been broken when, in 2015, Sam Smith's "Writing's on the Wall" debuted at number 1 on the UK Singles Chart. You may have my number [127] The work of cinematographer Roger Deakins also received praise: Newman commented that he "delivers the most impressive visuals this series has had since the 1960s",[127] and Miller described the film as "dazzlingly photographed". It was written by Adele and producer Paul Epworth and features orchestration by J. [47] The final script was written by Bond screenwriting regulars Neal Purvis, Robert Wade and John Logan. It reached number one in 11 countries and the top five in various regions. It is the theme song for the James Bond film of the same name. [5] Daniel Kleinman returned to design the title sequence after stepping aside to allow graphic design studio MK12 to create the Quantum of Solace sequence. [62] It also won the Critics' Choice Award for Best Song,[63] the Golden Globe for Best Original Song,[64] and the Brit Award for British Single of the Year. [46] On 14 October, "Skyfall" rose to number 2 on the UK Singles Chart with sales of 92,000 copies. What you see I see [30] The Huffington Post described the song as a "brassy and soulful tune [that] fits perfectly alongside the work of Shirley Bassey in the oeuvre of James Bond title tracks". "[5], The Los Angeles Times complimented the song and said that the song "tells good things for this winter's blockbuster-to-be. [110] Skyfall's box office receipts made it only the 14th film and first Bond film to gross over $1 billion, the seventh-highest-grossing film ever made at the time, pushing it past the inflation-adjusted amount of $1.047 billion earned by Thunderball. Because it is a theme for a Bond film, after all, the song is also shot through with the threat of violence and death." The song entered the Billboard Hot 100 at number 8 for the week ending 20 October 2012, becoming Adele's first song to debut in the top 10 with 261,000 copies sold in the United States during its first three days. Some critics have noted that the song's themes focus more on loyalty, one of the key themes of the film as well, as well as having an apocalyptic feel. – Listen", "Adele's 'Skyfall': James Bond Theme Gets Brassy, Soulful Rendition From British Songstress", "Single of the week: October 4: Adele: Skyfall", "Listen: Adele's sumptuous James Bond theme, 'Skyfall, "Adele's 'Skyfall' is in tune with James Bond history", "How Does Adele's 'Skyfall' Compare to the Best Bond Theme Songs? In an interview with NRJin April 2012, the singer stated that she intended to release a new single by the end of the year; however, it would not be preceding a new album. That's common, says new study", "Adele's back! [15] Heavily pregnant at the time of recording, Adele has commented that this was the reason for the song's low range, and has often struggled to perform the song live due to the lower register. [63], Thomas Newman, who had previously worked with Mendes as composer for American Beauty, Road to Perdition, Jarhead and Revolutionary Road, replaced David Arnold as composer,[87] becoming the ninth composer in the series' history. [117] By the end of its theatrical run, the film earned $304,360,277 in the United States and Canada, making it the fourth-highest-grossing film of 2012 in these regions. Entertainment Weekly wrote that there is "finally" a great James Bond theme. We will stand tall [63] After exploring the IMAX system further and discovering that the IMAX Corporation was using their proprietary re-mastering process, Deakins had further tests made without the process and found that "the images looked spectacular on the big IMAX screen", quelling his doubts about the format.

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